So I've had a real interesting week with lots of things to keep me from cranking out new stuff. Therefore I have to hit the vaults again. I hope that next week (once grades, lit mag, and finals are over) I can return to new thoughts.
76
Driving into the city I focus on the galvanized landscape:
an arboretum of artificiality that sets the stage for an industrial tableaux.
To both sides of the highway are rows of billboards
--incollapsible dominoes--lined like the mummers we came to see.
Putting on costumes, fabrications which are no way
reflective of their lackluster lives--they seem plain when they
put out our fires and take out our garbage…nut today they are spectacles.
The boards wear their costumes…
NOKEA, MARLBORO, YUENGLING--
the vestments of sequins and feather of the stationary dancers. Yet,
in the distance there is one barren, sickly-white dancer,
naked….
Only scraps remain scattered across its chest
like the bits of glue and paper that nostalgically cling
to a beer bottle. It wears the bits of old fabrications in splotches across its void--
NEWPORT maybe-- but
It stands there an awkward without arms to cover its naked flesh
or legs by which it can run.
Even those wearing the ugly HEROIN DETOXIFICATION CALL…
or WHO'S YOUR DADDY? dna tests are more pleasing than vulgar,
exasperated white.
We wear our NOKEA's and MARLBORO's, even
Our HEROIN DETOXIFICATION CALL…
In designer jeans, haircuts, and metal
studs that seek our most sensitive parts,
procreate, and start dysfunctional families.
Adorn ourselves with attitude like YUENGLING
for to be a the pasty ghost of a fleshy billboard is unacceptable.
For your sake, don't be a barren domino, you are not fixed in concrete supports
And you will get knocked down.
Thursday, May 3, 2007
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